This’ll be the day that I die

In the world of background acting, there are many scenes where background is hired to play nondescript characters.  Those who play these roles are barely recognizable on screen if at all.  A higher level that many actors working background strive for is the featured background role.  For these roles, the background actor may play the featured doorman, limo driver, hot dog stand guy, police officer, and an assortment of other characters that may stand out in a scene.  On any given episode of a crime drama like Law & Order: SVU, there is always the dead guy role.  He’s the guy who gets murdered somewhere near the beginning of the show.  The cops then have to spend the rest of the show trying to solve the mystery of who killed him.  Many actors die trying to get this role.  I was the one who actually got it.  Here’s my story…

Last December, I submitted a headshot of myself for the dead guy role through a popular actors website called castingnetworks.com.  Not reading the fine print, I sent them a regular clothed photo of myself.  Later on in the day, I received an email from them stating that they needed me to send them two specific photos; one frontside of me topless and the other one of my backside exposing exactly one inch of my butt crack.  Such a weird request, but that’s often the nature of show business, and there’s always a valid reason for these requests no matter how crazy they sound.  I realized that if I act fast and give them the photos they asked for, I would increase my chances of getting this role, for how many actors can send half-naked back and frontside photos of themselves so quickly?  My daughter was home, so I had her take the photos of me.  When I turned around to have my backside shot, I pulled my pants down  just enough to expose approximately one inch of my butt crack.  My daughter was surprised and immediately asked me why I just did that, with which I replied, “Because it’s for a TV show and they wanted me to show them one inch of my butt crack”.  She responded, “Okay, but when this show goes on the air, do not tell ANY of my friends that you will be on it, okay!?”.  I told her not to worry.

After the pics were taken and emailed to the casting director, not five minutes go by and I get a call from them telling me that I am going to play the dead guy on the show.  I got the role and I had my daughter to thank!

On the day of the shoot, I was sent to the wardrobe trailer.  Since I was hired specifically to play a victim of a murder-rape, they wanted me to appear naked in the scene, so the wardrobe people gave me nude-colored underwear they referred to as “modesty wear”.  In the scene, I was to wear only that to make it seem as though I was completely naked.  The scene was in a seedy hotel room in Midtown Manhattan.  The assistants bound my left wrist with a man’s necktie tied to the bedpost while my right wrist was bound by a belt to the right bedpost.  A rag was jammed into my mouth to really dramatize the brutality of the scene.  A technician came in with what looked like three pools of blood of different sizes.  The pools were made out of solidified acrylic; they were hard and flat as pancakes, but they still appeared wet.  The technician put one of the pools on the carpet beneath where my head would hang down over the edge of the bed to make it appear that blood dripped out of my head to the floor below.

Due to the network censors, a man’s ass cheeks cannot be shown on network TV, but they do allow for exactly one inch of his crack to show on screen (And two inches if you are a woman.  Don’t ask me why).  Because of this rule, the set dresser had to cover my naked ass with a bedsheet.  Interestingly, he took pains to make sure to expose only one inch of my crack.

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Here I am waiting for the cops to come to my rescue. Oh wait, it’s too late.

The actress starring on the show, Mariska Hargitay, came in with her co-star to prepare for the scene with me.  Mariska came to me and said, “So you’re the murder of the day, huh?  Nice to meet you”.  I responded with an awkward smile.

My character was Mr. Dunleavy, a corporate big-wig with a nasty secret: he liked to visit gay clubs and discreetly have kinky sex with men. Only the guy who picked him up had a thing against closeted men masquerading as straight guys.  He ended up killing me during our sexcapade on the hotel room bed with blood dripping down my head (it’s really a mixture of corn syrup and other stuff).

In the scene, Mariska knocks on the door of my hotel room.  When there was no answer, the hotel manager opens the door where she comes rushing in with her gun pointed towards me.  Only I’m lying face-down lifeless at the edge of the bed.  She then reaches down towards me to check my pulse, and after a moment or two, replies to her partner, “He’s gone!”.

What many of you don’t know is that Mariska is a very funny lady.  After one of the takes was done, she continued to improvise her role by whispering in my ear, “I always loved you!”.  She continued to engage in other on-set shenanigans to break up the tension and monotony of the shoot.

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Actress Mariska Hargitay checking my pulse and declaring me dead.

The above scene was filmed in several takes.  During the filming, as soon as the director yelled “Action!”, I took a deep breath of air and held my breath for the duration of the scene which lasted for a good 60-90 seconds.  The reason I did this is that since I was playing dead, I did not want my lungs to move during the scene.  I had to lie completely motionless in every sense of the word.  Keeping this in mind, I literally felt like I was going for a long underwater swim and not coming up until the director cut action of the scene.  As soon as he cut the scene, I gasped for air again.  The further challenge for me was that I had to breathe through a rag that was jammed in my mouth.

During one of the takes, I could clearly hear the director ask the cameraman, “Make sure you get the crack!”  I knew exactly what he meant and repeatedly pondered why I am here to begin with.

When all the takes were done with and the cameraman went to “check the gates”, I was relieved to know that my scene was done.  The rag was gently taken out of my mouth and the belt and tie were removed from my wrists.  I was able to put on a workout outfit to keep me warm until I got back to holding where my real clothes were.  The makeup guy removed the fake blood that was caked on my forehead.

I went home with the satisfaction in knowing that the character I played was a key element to the plot of the episode.  I think I killed that role!

A Year In Review: 2012

While 2012 came and went, it was a year of many firsts.  I started the year off doing Bikram Yoga, something that someone suggested I do over 25 years ago to help me with my running.  In the Spring, we visited an archery range in Brooklyn and we each took our turns shooting arrows.  I learned that archery teaches you to focus and is a great way to relieve stress.

Emma Archery

Also during the Spring, I finally decided to join AFTRA, which at the time was the television actors union.  Just a few weeks later, AFTRA merged with SAG (Screen Actors Guild), which made me an automatic member of SAG-AFTRA.  I now get the benefit of making more money when I work on a background acting gig.  While background work can be tedious, it can also be fun and a great escape from routines of life.  Below is a photo from the film Winter’s Tale where I played a New York pedestrian from 1916.

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During the summer, my children and I went surfing at a surf school at Rockaway Beach, Queens.  Hunter and I could not stay on the surfboard without falling off, but Emma learned to master it rather quickly.  While we looked cool standing on our surfboards in the photo below, once we were in the water, it was a different story.

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In August, we went to the Bahamas for the first time and experienced the once-in-a-lifetime chance to hug and kiss a dolphin.  This was also the first time we ever visited the Caribbean.

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During the Fall, I brought the family to an avant-garde, industrial-style fashion show in Williamsburg, Brooklyn, which was a funky experience for all of us.

After the devastation caused by Hurricane Sandy, I helped clear the hiking trails with my children in Staten Island.  That is when I learned how to operate a chainsaw for the first time in my life.

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Weeks later, we saw the United States Women’s Gymnastics Team perform at Barclay’s Center.  We also visited a temporary art exhibit by the sculptor Tatzu Nishi at Columbus Circle in Manhattan.

At the beginning of the year, Hunter had written down a resolution to run both the Brooklyn Triple Crown and Staten Island Triple Crown race series.  He kept to his goal and ran in all six races for both series.  He won awards for his age category in the process.

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Hunter has also become an accomplished pianist for his age.  He is continually learning new songs all the time and has even composed some original music.

Emma continues to excel in her gymnastics class and can now do full splits, somersaults and flips.  She has become very creative in using many different kinds of media and through YouTube videos, she has learned how to form and shape polymer clay into virtually any design she can think of.  She also has learned how to solve the Rubik’s Cube and can solve it in less than two minutes.